Portuguese Economy
Portuguese Economy
Promotional video for the book “Portuguese Economy”
Client: Fundação Francisco Manuel dos Santos
Year: 2022
Promotional video for the book “Portuguese Economy”
Client: Fundação Francisco Manuel dos Santos
Year: 2022
A vote promoting campaign by Ben & Jerry’s, in the context of the Portuguese 2022 legislative elections. Don’t be vanilla and vote!
Client: Mosca / Ben & Jerry’s
Year: 2022
Teaser video for the book “Populismo”.
Client: Fundação Francisco Manuel dos Santos
Year: 2022
World Refugee Day. Conflicts around the world have forced more than 100 MILLION people to flee.
Client: Conselho Português para os Refugiados and UNHCR
Year: 2022
Motion Graphics promo online vídeo for the book “Democracia Local em Portugal (Local democracy in Portugal) by António Cândido de Oliveira. An active citizenship begins locally, this book dissects this role and the structures that support it.
CLIENT: Fundação Francisco Manuel dos Santos
YEAR: 2021
Teaser video for “Artur Pastor”, a book from the Francisco Manuel dos Santos Foundation. Motion graphics of the artwork of one of the most important Portuguese photographers.
Client: Fundação Francisco Manuel dos Santos
Year: 2021
With this video we help Iniciativa Educação to celebrate its 2nd anniversary. 2 Years of contribution to the education of children and young people for a better future.
CLIENT: Iniciativa Educação
YEAR: 2021
Motion Graphics explainer about learning methods. “Recuperation Practice” is a technique that helps us remembering what we’ve learnt.
CLIENT: IE| Iniciativa Educação
YEAR: 2021
Motion Graphics promo online video for the book “O regresso das ditaduras?” (The Dictatorships’ comeback?) by António Costa Pinto. A book that analyses the ascension (and the returnal) of authoritarian governments.
CLIENT: Fundação Francisco Manuel dos Santos
YEAR: 2021
Motion Graphics promotional ad for Robin Fior’s exhibition at Fundação Calouste Gulbenkian. “Call to Action / Abril em Portugal” reunites, for the first time ever, work designed by Robin Fior in England, in the decade of 1960, and in Portugal, between 1970 and 1980.
CLIENT: Fundação Calouste Gulbenkian
YEAR: 2019